The Flight of the Phoenix (1965)

Plane Crazy

***This Review Contains Spoilers***

James Stewart’s career in the 1960’s was characterised by below average westerns, a contrast to his amazing run of diverse and ambitious films in the 50’s. The Flight of the Phoenix and The Man Who Shot Liberty Valance are the two films which broke this mould.

I’m not an aviation expert so I can only speak as a layman but the method in which the men escape from the desert by building a new plane out of the remains of their downed plane doesn’t feel implausible, even if the man who spearheads the project designs toy planes for a living. After Frank Towns (James Stewart) and Lew Moran (Richard Attenborough) learn that Heinrich Dorfmann does not actually design real planes he makes a convincing argument that the principals of model plane design are the same and in many aspects of models require much more exacting designs as there is no pilot to fly them.

Hardy Kruger is the big show stealer here as the reserved loner Heinrich Dorfmann. He doesn’t conform to the rest of the group often physically separated from them nor does he appear to care what they think of him. He is someone who deals in cold, hard logic and shows little emotion throughout most of the film until he finally warms up towards the end. The intense dislike Towns has for Dorfmann is never explained. Ok it is established Dorfmann gets on Towns’ nerves but the contempt he has for him is clearly something more than that; in fact on my first viewing of The Flight of the Phoenix I found myself puzzled as to why he was taking such a dislike to him. Although it’s never stated the dislike could be due to post war bigotry. Although Dorfmann claims to have not been involved in the war he does hold some Nazi like characteristics such as his lack of compassion for those unnecessary or hindering the survival of the greater good (the greater good!), not to mention the blonde hair and blue eyes wouldn’t help Towns’ perception of him.

It’s no secret that James Stewart was an aviation enthusiast, thus no surprise this role would have appealed to him. As a pilot during the war he bring an extra degree of levity to the role, however this is no nice guy Stewart. Frank Towns is a man with a violent temper – nor did Stewart ever appear in a movie with a face so beat up (kudos to the makeup department for all those nasty looking side effects on the character’s faces.). The shot in which he threatens to kill the unknown person stealing water if they do it again as his face goes in and out of the light more than once is intimidating stuff. Likewise The Flight of the Phoenix is piloted by a superb international cast with characters whom have different levels of adjustment to surviving the wilderness. It’s a surprise seeing Dan Duryea playing a softie as Standish the account; a total contrast to his other roles as a no good weasel.

“The little men with the slide rules and computers are going to inherit the Earth.”

The Frisco Kid (1979)

Hanukkah Solo

Its movies like The Frisco Kid which are right up my alley – a totally bizarre, odd ball comedy. A movie which feels like a classic Hollywood western but about a man who is in a totally alien world. The odd pairing of actors Gene Wilder and Harrison Ford works like a charm. Just like how you wouldn’t expect these actors to team up, you wouldn’t expect a rabbi and a Wild West cowboy to be a duo. There’s such pleasure watching the two interact and develop their odd, endearing bromance; Tommy (Ford) has no reason to stay with Avram (Wilder) other than he’s formed a liking to him. Harrison Ford goes from space cowboy in Star Wars to actual cowboy in The Frisco Kid, showing he really had a knack for playing ruffians. However his character is not just a Han Solo redux. Unlike Solo he’s not just out for himself but wants to give a helping hand to underdogs.

The Frisco Kid showcases the absurdity of faith, but also celebrates it at the same time. Rabbi Avram Belinski follows his faith to a tee (despite being ranked almost last among his peers strangely enough). He would put his life and the lives of others on the line for the Torrah or in order to obey the Sabbath. Yet Tommy defends and even lauds Avram’s actions as a man dedicated to his faith, even if he put his life in danger for religious reasons.

Likewise the Native Americans they encounter along their travels have a failure to understand the God of Judaism, Christianity and Islam. In one dialogue exchange, the Indian chief is perplexed that this God can make rain yet he doesn’t because as Avram puts it, “that’s not his department”. Yet the chief asks if he wanted to he could, and Avram replies yes. Yet Avram contradicts this statement later in their discussion when he proclaims God can do anything; the chief responds with “then why can’t he make rain?” and Avram loudly states “because he doesn’t make rain!”. However on top of this Avram tells the chief that there is only one God and that he’s your God too. Take that as a bit of falsifying another’s faith.

However The Frisco Kid is a movie which showcases peace and unity between cultures. Along his travels Avram encounters whites, blacks, Native Americans, Christian monks and the Amish. When he first encounters the Amish he mistakes them for rabbis due to their similar attire, perhaps symbolising that we’re not all so different. Here Gene Wilder shows he is an actor who is not afraid to celebrate their religion and culture on screen; even if he is playing a neurotic Jew but not in an annoying way. The Frisco Kid is a movie which could possibly appeal to the both the religious minded and the atheist alike.