A Day at the Races
***This Review Contains Spoilers***
Broadway Bill is Frank Capra’s forgotten follow up to It Happened One Night, likely due to the film being out of circulation until the 1990’s and what a shame too. Warner Baxter and Myrna Loy are not romantic leads as she is his sister in law but both of them have great admiration for each other with Dan Brooks (Baxter) referring to her affectionately as The Princess and Loy clearly in love with the man and holding the same ideals as him but unable to go any further due to family ties; I find this dynamic is more interesting than a standard romance. Capra originally wanted Clark Gable in the lead role but had to settle with Warner Baxter who at least seems to be the next best thing as he holds much of the same rugged, footloose appeal of Gable.
Broadway Bill features many of the same Capra-isms as seen in his other films. The small town of Higginsvillie being run by business mogul J.L Higggins played by Walter Connolly is a much more light hearted version of Mr Potter from It’s a Wonderful Life. He is in control of his entire family who run his individual enterprises and even their own national bank as visualised in a gag in which the entire Higgin’s family proceed to eat dinner in perfect unison. They’re not the Rothchilds but they’re wealthy and powerful (“Higgins, that’s not a family, that’s a disease”). Yet at the end of the film J.L. gets rid of his businesses or as he puts it, gives back institutions to the people who founded them. Like the Sycamore family in You Can’t Take It With You, Dan Brooks want to leave behind his life of work in favour of leisure and enjoyment, ideals comparable to the counter cultures of the 1960’s. After all what could be more dull than running a paper box company? Unless you’re Seymour Skinner.
One of the most pivotal scenes in Broadway Bill involves one of the richest men in the world, J.P. Chase putting a $2 bet on Broadway Bill at 100/1 as a means to pass time will in hospital. When word gets out it spreads like wild fire and the claims of what the amount of money he placed on the best become exaggerated from $2 to $20,000 to $50,000 all the way up to a quarter million. Simple message – don’t believe everything you hear.
I love Broadway Bill for its simple cheerful Innocence. This is one of several films which has managed to tug my heart strings over the fate of a horse. One plot element even involves the horse Broadway Bill refusing to race because he doesn’t have his pet chicken called skeeter. You wouldn’t find this kind of innocence today in a film which is supposedly made for adults.